dossier | HANDMADE JEWELRY PRODUCTION

I’ve been making production jewelry for nearly my entire career—it’s how I make my living. But while preparing a workshop to teach other jewelers how to approach production, I had a bit of a realization: most people don’t know what “production jewelry” really means. 

And honestly? I don’t blame you. It’s not something we (makers) talk about, and it definitely doesn’t look the same in a handmade studio as it does in a factory.

When you hear the word “production,” what comes to mind?
Maybe it’s a massive factory—giant machines—conveyor belts lined with identical pieces moving in sync while someone tightens bolts or welds metal. For most of us, the idea of production feels big, industrial, and overwhelming—something far removed from the quiet hum of a solo studio and the opposite of handmade.

But here’s the thing: production doesn’t have to mean mass manufacturing.

In the world of handmade jewelry, production looks—and feels—completely different. It’s not about removing the human touch—it’s about creating systems that support the maker. It’s a rhythm. A flow. A process shaped around creativity rather than control.

When I produce my jewelry, I use the same tools I always have: my stamps, torch, hammers, pliers, and flex shaft. But the difference lies in how I work.

I take the time to organize. I batch steps. I cut all my materials at once. I solder ten pieces in a row instead of one at a time. I streamline and repeat, not to rush the work, but to keep my energy focused. It’s not mindless—it’s intentional.

Hand-fabricated production is thoughtful, smart, and deeply handmade.

This kind of production honors my process. It supports consistency, yes—but more importantly, it supports me. It gives me space to create, to connect with my customers, and sometimes, to take a breath.

So next time you hear the word "production," don’t picture a factory floor.
Picture me at my bench—clean(ish), focused, and fully present—making something special just for you.